Image: Dedication page: Jennifer Knust & Tommy Wasserman, To Cast the First Stone (Princeton, 2019).
I have posted WM 163: Follow Up: Gurry, Parker, Text, & Postmodernism. Listen here. Notes for WM 163:
In this episode I want to follow up to the interaction I had
with Dr. Peter Gurry (PG) and James Snapp (JS) back on January 29, 2020 (in the
pre-covid days!) on Josh Gibbs’s Talking Christianity podcast. Unfortunately, what
was supposed to be a moderated conversation between our three positions turned
out to be something of a disorderly disaster. See
my follow up blog post here. Still, I think some have profited from it, and
I continue to hear from folk every now and then whose interest in the confessional
text was piqued by the conversation.
There were a number of things that made the interaction
difficult, from my perspective. For one thing, my co-participants wanted to
make the conversation about reconstructing the external evidence, and did not seem
to grasp or respond to my argument that such a method is futile given the
paucity of evidence and its scattered and fragmented condition. For another
thing, with regard to PG, in particular, I was frustrated with the
unwillingness to acknowledge or respond to what I consider to be some basic
factual realities with regard to contemporary text criticism in the modern academy.
First, PG dismissed as altogether insignificant the postmodern
shift that has taken place in contemporary text criticism and the abandonment
of any certainty with respect to the reconstruction of the autograph.
Second, oddly enough, he denied the influence of D. C. Parker
as a “gatekeeper,” an influential thinker, who has greatly shaped the approach to
modern text criticism in the academy.
So, in this WM I want to do four things:
First, I want to play a clip from the Josh Gibbs’s podcast in
which I interacted with PG.
Second, I want to talk a little about DC Parker and his views:
Why is he significant?
Third, I want to read a book review I wrote of DC Parker’s Textual
Scholarship and the Making of the NT (Oxford, 2012), so that you can judge
for yourself the influence of Parker.
Fourth, I want to offer some brief concluding thoughts.
Second: Is DC Parker a gatekeeper?
His introductory blurb:
My main current work is editions of the Gospel
of John funded by the AHRC. One is a critical edition of the Greek text in the
series Novum Testamentum Graece. Editio critica maior, in partnership with the Institut fรผr neutestamentliche
Textforschung, Mรผnster, Germany.
Another is an edition of the Gospel of John in Latin in the Vetus Latina series.
His biography:
I read Theology at
St. Andrews, specialising in New Testament and Church History. From there I
went to Cambridge, where I completed a postgraduate degree and trained for the
Anglican priesthood. After eight years in parochial ministry in North London
and Oxfordshire, I moved to Birmingham in 1985, teaching at Queen’s College
until 1993, when I joined the department. I have a doctorate from the
University of Leiden, The Netherlands.
In
2012 I was elected a Fellow of the British Academy. From the 2017-18 academic
year, I have taken stepped retirement and will not be accepting any more
postgraduate students.
His
Research:
My main current work
is editions of the Gospel of John funded by the AHRC. One is a critical edition
of the Greek text in the series Novum Testamentum Graece. Editio critica maior,
in partnership with the Institut fรผr
neutestamentliche Textforschung, Mรผnster, Germany. Another is an
edition of the Gospel of John in Latin in the Vetus
Latina series. I also contributed to the COMPAUL Project
directed by Dr Hugh Houghton. I am co-editor of the monograph series Arbeiten
zur neutestamentliche Textforschung and am on the editorial board of the
journal Filologia Neotestamentaria.
Other
research contributions in recent years include online editions of two early
Christian manuscripts, Codex Sinaiticus and Codex Bezae,
and the Society of Antiquaries of London’s three copies of Magna Carta.
My most recent book (Textual Scholarship and the Making of the New Testament.
The Lyell Lectures 2011, Oxford: Oxford University Press, paperback edition
2014) describes many aspects of my current thinking and ITSEE projects.
His
publications: Here are some key works:
Codex Bezae. An Early Christian Manuscript
and Its Text, Cambridge
University Press, 1992.
The Living Text of the Gospels, Cambridge
University Press, 1997.
An Introduction to the New Testament
Manuscripts and their Texts, Cambridge
University Press, 2008.
Textual Scholarship and
the Making of the New Testament, Oxford University
Press, October 2012.
Codex Sinaiticus. The
Story of the World’s Oldest Bible, British Library and
Peabody MA: Hendrickson, 2010. German translation, German Bible Society, 2012.
Of these works, Parker’s
Living Text of the Gospels is considered by many to have been groundbreaking.
In the opening chapter on “The theory” Parker states a key thesis: “There is no
original text. There are just different texts from different stages of
production” (4).
Third: My book review of
DC Parker’s
Textual Scholarship and the Making of the NT (Oxford, 2012) [from American Theological Inquiry Vol. 7 No. 1 (2014): pp. 81-84]:
Conclusion:
Clear assessment:
There has been a momentous postmodern shift in
the contemporary academic NT text criticism.
DC Parker has exerted enormous influence in the
field of contemporary NT Text Criticism.
For just one final piece of evidence of this,
look at the dedication to Jennifer Knust & Tommy Wasserman, To Cast the
First Stone: The Transmission of A Gospel Story (Princeton, 2019) which
reads: “For D. C. Parker on the occasion of his retirement.”
The concluding paragraph of the
Acknowledgements: “Finally, in recognition of his long service to our
discipline and his profound influence upon us, we have chosen to dedicate this
book to David C. Parker. His living texts, vibrant scholarship, overwhelming openness,
and noble example, give us much to admire. We wish him the best for his retirement
and would like to express our sincerest thanks for everything he has taught us.
Thank you David!” (xviii).
So, why was PG so intent in our conversation to
deny the shift that has taken place in contemporary text criticism? Why deny the
influence of DC Parker as a gatekeeper in (post) modern text criticism? I do
not know.
I think it would be burying one’s head in the
sand to deny that a postmodern shift has taken place in contemporary text criticism,
and that this shift is a challenge to the authority of Scripture as the basis
for faith and practice in traditional Christianity.
JTR