Image: Fresco in the Catacomb of Callixtus in Rome (c. third century), depicting Christ as the Good Shepherd.
This is an occasional series of readings from and brief notes
and commentary upon Eusebius of Caesarea’s The
Ecclesiastical History: Book 7, chapters 18-19. Listen here.
Notes and Commentary:
These chapters are interesting in
that Eusebius describes early examples of Christian art and objects of
religious devotion.
Chapter 18 describes a
statue configuration at Caesarea Philippi, supposedly placed as a memorial at
the home of the woman with the issue of blood who touched the hem of Jesus’s garment
and was healed. Eusebius said it included a “lofty stone” at the gates of the
woman’s house with “a brazen figure in relief of a woman” on bended knee stretching
out her hands. Opposite of this figure was another of the same material depicting
Jesus. Eusebius says, “This statue, they said, bore the likeness of Jesus.” Also
growing at the foot of the statue of Jesus was an herb supposedly with healing
powers. Eusebius claims to have seen these objects with his own eyes when
visiting the city.
He also makes reference to other
such objects, including colored painting depicting the apostles Paul and Peter,
as well as Jesus himself, and he suggests that such things were according to “pagan
habit.”
Chapter 19 describes the “throne
(thronos) of James,” the brother of Christ and first bishop of Jerusalem as a religious object.
Eusebius claims that this throne or seat had been preserved to his day and that
the brethren gave honor to it. He mentions this approvingly seeing it as evidence
of the esteem in which James was held both by the ancients and contemporaries.
Conclusion:
These notes are intriguing in that
they give evidence of the development of Christian visual art, as well as the
veneration of religious objects. Eusebius himself sees it as related to pagan
(rather than Jewish) tendencies, but he does not necessarily denounce it and
even seems to offer approval. Such things will become matters of greater controversy
in later years, including in the controversies over icons and other religious objects.
Such controversies will continue even up to the Protestant Reformation and beyond.
JTR
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